Ever since the Academy introduced the Best Animated Feature category in 2001 eighty percent of the winners have out-grossed the Best Picture victor of the same year. The only exceptions are Finding Nemo, which was second at the box-office to the franchise juggernaut The Lord of the Rings: Return of the King, and Spirited Away, which out-grossed Chicago only internationally. Even Wallace and Gromit: The Curse of the Were-Rabbit was more profitable than Crash. These dual achievements—critical and commercial—of animated features over the last ten years have been split between Disney/Pixar and DreamWorks Continue reading
Friscalating Dusklight 