Monthly Archives: September 2011

Gramps: Straw Dogs Remake Akin to Light Beer, But It’s Still Beer

When I first heard that Sam Peckinpah’s Straw Dogs was getting a makeover, I believe there were spasms of expletive fury (as I now feel of the upcoming The Wild Bunch remake at the hands of… Tony Scott?). Yet, after a weekend of contemplating whether to see the film – and then deciding to – I’m surprised how faithful Rod Lurie’s version is to the original. Overall, the slow-burn to chaotic violence found in the original is ever present in the remake, yet too much violence is used to replace the uncomfortable topic of sexuality. On a side note, it’s also a fascinating study of the modern theater audience as well. Continue reading

Beardface Reviews: Moneyball is a Triple… That’s Still Pretty Great, Just Missing Some Pop

Sports movies are treated like any other genre fare. It’s as though by definition they are automatically of a lower quality. Not art. Not worthy. You know, they often get the suffix ‘just a’ thrown in from of them. It’s just a sport movie. And you know what, most of the time they’d be right. There must be a thousand sports flicks out there,┬áthe question is, how many transcend the genre?

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Beardface Reviews: Drive by Nicolas Winding Refn is an Effortlessly Cool Neon-Noir

How do you make a film that feels vintage yet completely fresh at the same time? And not only that but make it one of the year’s most interesting films from what will be a major new presence on the Hollywood film scene. Yes, an exciting new artist who is interested in making mainstream movies… but with a catch, Nicolas Winding Refn will be delivering ‘Hollywood’ in a whole new package. Drive is bravura filmmaking is ever there was cause for that word and I knew it the moment the hot-pink letters hit the screen after the insanely gripping opening sequence. The hot-pink not only announced the film had arrived but also the filmmaker.

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