Monthly Archives: October 2011

Gramps: The Thing Absorbs More Bad Than Good

Despite the critical reception, it’s not all bad when it comes to 2011’s The Thing; yet, it so happens to be one of the most heartbreaking disappointments of the year. Am I a walkin’, talkin’ contradiction? Perhaps. However, it’s for all the technical and narrative elements that The Thing does right that my heart breaks and not for its shortcomings.

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Gramps: Meek’s Cutoff is Bold Filmmaking

For every handful of reviews I’ve skimmed, the word “minimalist” is predominately displayed. Minimalist dialogue, visuals, narrative, etc. I’m afraid that I’ll need a definition for “minimalist” (straight from the Oxford English Dictionary no less) before I assign such a label to Meek’s maximal beauty. The narrative is simple, granted: “Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions” (IMDB) and, honestly, that’s about the gist of it. Yet, it’s a historical event. There was a Stephen Meek; he lead emigrants through Oregon by way of a trail that would be named after him; and he was not the most well-liked, trusted, or friendly of folk. Disregarding the whole history of Meek’s trail, the film begins in ’45 when emerging settlers already came to suspect Meek’s abilities, or lack thereof. The trail is rough, water is near non-existent, fear of Natives run high, and the piety of the settlers clashes against Meek’s survivalist strategies. Continue reading

Beardface Reviews: Kill List by Ben Wheatley. What. The. Fuck… In A Good Way.


There’s an ever common phrase in cultural discourse that goes something like ‘such-and-such is a work of art that defies description.’ Or classification. Or definition. Or any number of vague excuses that tell you more about the critic’s lack of understanding (or engagement) with the material than it does about the actual piece of work. That being said, Kill List is a film that defies description. It is not only extremely difficult to pin down or label but it also it nearly impossible to go into any detail as to not spoil the, uh, fun. Therefore, I don’t fault others for relying on the safety of cliche crutches and/or ambiguous classifications. Let’s just start with this, you should definitely go see it but only if you’ve got a few days after to think about it [by think, read: obsess].
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