For every handful of reviews I’ve skimmed, the word “minimalist” is predominately displayed. Minimalist dialogue, visuals, narrative, etc. I’m afraid that I’ll need a definition for “minimalist” (straight from the Oxford English Dictionary no less) before I assign such a label to Meek’s maximal beauty. The narrative is simple, granted: “Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions” (IMDB) and, honestly, that’s about the gist of it. Yet, it’s a historical event. There was a Stephen Meek; he lead emigrants through Oregon by way of a trail that would be named after him; and he was not the most well-liked, trusted, or friendly of folk. Disregarding the whole history of Meek’s trail, the film begins in ’45 when emerging settlers already came to suspect Meek’s abilities, or lack thereof. The trail is rough, water is near non-existent, fear of Natives run high, and the piety of the settlers clashes against Meek’s survivalist strategies. Continue reading
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