Monthly Archives: November 2011

Gramps: Dito Montiel’s Tragedy Finds Mediocrity

Let’s be honest here, Montiel’s New York centered police-drama has two draws: (1) Ray Liotta and (2) Al Pacino. The mere mention of their names in relation to police-drama causes we, the people, to long for a simple glimpse of Liotta’s understated Gary Figgis in Copland and just a little of the magic that Pacino brought to Heat‘s Vincent Hanna. Personally, and I pray others still think like me, each time I hear Liotta linked to a new project I yearn to see Henry Hill strut across the street and beat a man short of death with the butt end of a pistol; similarly, I so want to see Pacino channel Sonny from Dog Day Afternoon, “Attica, Attica!” Although I knew going into Son of No One that my prayers wouldn’t be answered, I guess I’m still a dreamer (or incredibly stubborn), thus I walk away from a very average film still disappointed. In truth, it’s my own fault. Continue reading

Gramps: J. Edgar Fascinates Long After Viewing

First of all I must clear the air: I’m a Clint Eastwood fan. No. I’m sorry. I worship the ground the man walks on. No, no, again, sorry. Hmm? Okay. I’ve seen Changeling twice. I know, I know. Crazy right? Well, with that out of the way, I can get to my main question after having the pleasure of seeing J. Edgar: What up with all the negative criticism Inter-Web? “Eastwood’s portrayal of Hoover is too sentimental.” “The make-up ruins the movie.” “The time shifts are too frequent and cause me to lose interest.” “My seat at the theater was too hard.” Bah-Humbug to the works of ya! Is it a masterpiece alongside Letters From Iwo Jima? No. Is it a great film with a few nagging issues? I believe so. So, without further ado, let’s get into ‘er. Continue reading