As far back as we go, we’ve been making copies of ourselves. Whether for historical record, communication or art, recreating the self through imagery is literally as old humanity itself. Barf. Now, what does that intro – which I would label as ‘too grand’ on a college paper I’m grading – have to do with the masterful first seven shots (and the following fifteen that make up the fantastic three minute and twenty second opening sequence) of M. Night Shyamalan’s SIGNS?
A lot.
Friscalating Dusklight 