Tag Archives: Seven Samurai

Gramps: 13 Assassins a Modern Samurai Tragedy

Open on a wide-shot of a samurai performing public Hari-Kiri in front of his Lord’s residence as a form of rebellion against said evil, sadistic Lord Naritsugu. My initial thought? “Oh, Christ, this is going to be gruesome.” As I was about to flinch, squirm, and turn away, however, something amazing happened. Takashi Miike, the same Miike that directed a scene where a man is hung by his skin with fish-hooks as he’s tortured, focused on the struggling samurai’s face throughout the entire action: stabbing, slicing, twisting, disembowelment. Continue reading